Kelley Eskridge is teaching a six-week class on writing short stories at Seattle’s Hugo House as part of their winter quarter lineup.
Hugo House is one of the premier writing centers in the country, offering classes, residencies and tons of literary events. Hugo House has a national reputation for nurturing new writers and bringing established but lesser-known writers to the attention of a wider audience. These are certainly things that I can get behind, and I’m proud to be a part of it as a teacher.
The class is “The Whole Story.” Here’s the description:
All good stories – those that delight or thrill you, make you laugh or cry — are built from the same fundamental blocks. We’ll explore essential elements of good short fiction: structure, point of view, plotting, character development, description and dialogue. You’ll learn practical techniques like specificity, emotional language, anchor points and narrative grammar that you can use immediately. The class will be a mix of reading, discussion, and writing, as well as an hour-long individual conference with the instructor.
The class will meet Wednesday from 4:00 – 6:00 pm, January 27 through March 3. Registration begins December 1 for Hugo House members, December 8 for non-members.
If you’re a Seattle writer with an interest in short stories, I hope you’ll join me. It’ll be fun, and I’d love the chance to help you with your work.
…in two ways. One is for art for Mardi Gras. Spencer Tunick is organising another mass nude installation as part of next year’s Mardi Gras exhibition. Titled The Base, you’ll have to be in it.
The other way is way more startling. We’re cutting off our home phone line and living off our mobiles. The home line is hardly used anyway, except for the internet, but with naked dsl home line rental is just a waste. The concept is easy but nobody advised us how traumatic it would be to cut off a facility that has always been around. It’s like not having running water or a fridge. I’ll be nervous till the new wire is put in and I can get online again easily.
The NSW Gay & Lesbian Rights Lobby (GLRL), funded by a generous grant from the City of Sydney, is running sessions to increase public awareness of reforms to federal and state laws in relation to same-sex relationships and parental recognition. Their next information session, on social security, is to be held this coming Mondaythe 30th of November .
Monday 30th November 6.30pm: Social Security
Surry Hills Neighbourhood Community Centre, 405 Crown Street, Surry Hills NSW 2010
Monday 7th December 6.30pm:Parenting
Glebe Town Hall, 160 St Johns Road, Glebe NSW 2037
RSVP for the nights you wish to attend via email: glrl@glrl.org.auwww.glrl.org.auor phone: 9571 5501. For further fact sheets on the reforms, please visit our website
Yesterday, temps in Sydney reached above 41 C. I’m still recovering. Imagine heat coming at you from every direction – dry heat, not the wet kind, that feels like you’re in an oven. The wind was very hot as it blew in from the desert and surrounding stonework gleefully bounced it doubly back at us. Thankfully, a cool change has arrived, but Summer will be here strongly from next week. Tip: never stay in a zinc or brick building when it’s that hot.
Spandex (does that say it all or what?), created by Martin Eden, is a comic graphic book series featuring all gay (and a couple of trannies) superheroes.
He’s fleshing out his characters and invites comments. [via LOTL]
Women and minorities still earn less than white, male writers in the film and tv industry in the US.
The 2009 Hollywood Writers Report is the sixth in a series of reports released by the Writers Guild of America, West (WGAW) examining employment and earnings trends for writers in the Hollywood industry. These reports have highlighted three groups of writers — women, minorities, and older writers – who traditionally have been underemployed in the industry. The reports have documented the employment experiences of these study groups relative to their male, white, and younger counterparts in order to identify any patterns that suggest either progress or retreat on the industry diversity front. Using the reports as a diagnostic tool, the WGAW seeks to collaborate with the industry in efforts to increase the employment opportunities of all writers.
The 2009 report serves as a two-year follow-up to its predecessor, the 2007 Hollywood Writers Report. While it focuses primarily on hiring and earnings patterns for the latest two-year period not covered in the previous report (i.e., 2006 and 2007), it also includes updated analyses of data extending back to 2003, as well as data for select years imported from previous reports. Prior reports provide summary data on trends going back to 1982.
Check out the comparison graphs in the Executive Summary, and clear cut analysi such as this:
White males continue to dominate in both the film and television sectors. Women remain stuck at 28 percent of television employment and 18 percent of film employment. The minority share of film employment has been frozen at 6 percent since 1999, while the group’s share of television employment actually declined to 9 percent since the last report.
and
Since 2005 — the final year analyzed in the 2007 Hollywood Writers Report – women writers’ share of overall employment has remained unchanged at 25 percent.
and
White Males Continue to Dominate in Overall Earnings; Minority Earnings
Approach Those for Women Minority writers earned $87,652 in 2007, compared to $90,686 for women and $112,500 for white males. The $24,848 gap between minority earnings and white male earnings in
2007 represents nearly a $14,000 reduction in the $38,490 gap evident in 2005, the last year covered in the previous report. Meanwhile, the overall earnings gap between minority writers and women writers closed to its smallest point in 2007 ($3,034), which improved upon a much wider gap in 2005 ($12,868). Nonetheless, the overall earnings of white male writers significantly outpaced those of the other groups throughout the study period, reflecting the continuing dominance of white males in the industry…
JOB OPENING:
Web Producer/Editor, the Lambda Literary Foundation
The job
We are looking for a tech-savvy lit-lover who wants to be at the the nexus of the burgeoning online LGBT litscape. The web producer/editor will help put the finishing touches on the new website, then take responsibility for 1) commissioning and posting immaculately edited content which is refreshed on a reliable schedule, 2) promoting the site through social media, 3) ensuring smooth and uninterrupted operation of the site. Essentially, the web producer/editor will be monitoring the weather in the LGBT literary landscape and providing the community with the content they need before they even know they need it: reviews, opinion, interviews, community interaction–in written, audio, and video formats.
In addition to recruiting and assigning freelancers and volunteers, the producer/editor will solicit advertisers and oversee forum moderators. S/he will report to the Executive Director, with whom s/he will consult.
The ideal candidate
has a solid grasp of the LGBT literary landscape, preferably with connections to publishers, agents, booksellers, writers, editors, readers, artists, etc.[E notes: you must be clued in to the US queer lit scene.]
is at home with social media–FB, Twitter, blogosphere–and associated technologies such as podcasting and video streaming
is proficient in Adobe Photoshop, basic HTML and Javascript, selected CMS (WordPress), and working knowledge of CSS, and CMS plug-in installation
has experience with recruiting & managing volunteer and freelance content providers
posseses great writing and editing skills, design flair, an instinct for and delight in community-building, and the demonstrated ability to innovate, plan and execute
loves to solve problems, make things work, and get things done
The rewards
You will meet and work with the giants of the LGBT literary world. You will help grow the careers of emerging writers. You will be loved and admired the world over. You can work from anywhere with an internet connection (though as LLF is based in Los Angeles, the West Coast would be an advantage).
This is currently a half-time salaried position which we anticipate will grow to be full-time. Pay dependent on experience. Please send CV and cover letter to jobs@lambdaliterary.org. Review of applications will begin Nov 30 2009.
My de facto mother-in-law is visiting. For a month. She’s a nice lady, we get along…ask me again in a week. While I’m distracted by this and that, and a tour by the Dalai Lama, this month, I’ll post bits and pieces of interest when I can.
GoogleBooks and whoever is seeking a decision on an amended settlement in December. Thanks to DA and VS for a quick analysis of pros and cons.
After being shocked by news that ethically produced meat and eggs weren’t really that because of lack of industry regulation in Oz, I read that bamboo clothing isn’t what you think it is. It’s closer to a synthetised fabric and is really not enviromentally-friendly. And according to Christina Binkley at the WSJ, it’s not even durable. I prefer cotton and hemp myself…oh and um silk and cashmere.
News, updates and links from the lesbian and publishing ‘verse that interest me, my current projects, keeping up with authors and sharing musings on middle-class life, gourmet adventures and comparisons between East/West perspectives. My opinions will likely be linearly logical and gayly bent, as they tend to be.